Faculty
Since September 2021 Karen Durgaryan is acting as General Director of the Armenian National Opera and Ballet Theatre, with the task to reposition the historical institution as one of the most important cultural players at regional and international level. Born in Yerevan, Armenia, Karen Durgaryan has been the Principal Conductor of the theatre for 15 years, between 2001 and 2015 He graduated from the Yerevan State Conservatory in 1996 and has studied with Prof. Ilya Musin in St. Petersburg in 1997 In 1995 he was appointed an Associate Conductor of the Armenian State Philharmonic Orchestra and the following year has been the Music Director of "Britten and Armenia" International Music Festival in Yerevan.
Durgaryan’s international activity has a special focus in Italy where he has conducted most of the orchestra and opera houses: the Teatro Lirico in Cagliari – where he will conduct again in November 2022 – the Teatro Regio Torino, the Teatro Carlo Felice, Genova, the Teatro Verdi, Sassari in addition to concerts with the Orchestra di Padova e del Veneto and with the “Luigi Cherubini” Orchestra and the Toradze Piano Studio at the Ravenna Festival. He has appeared regularly with the Orchestra Sinfonica Siciliana in Palermo, with the Orchestra “I Pomeriggi Musicali”, Milan and with the Orchestra di Padova e del Veneto, where he will make his return in February 2023 Conducting an all-Prokofiev program Karen Durgaryan made a successful debut with the Israel Philharmonic Orchestra in November 2016 and in January 2017 has conducted for the first time the Brussels Philharmonic Orchestra, where he returned in January 2019 for a program in the frame of the Klara Festival. In February 2018 Durgaryan made his first appearance with the Malaysian Philharmonic Orchestra conducting two special ballet gala programs featuring the Armenian Ballet. In December 2018 he has made his debut at Teatro di San Carlo, Napoli with a production of Nutcracker, which he conducted again in December 2019
Karen Durgaryan has regularly conducted the best opera houses in Russia: from 2008, he is regularly a guest of the Mikhailovsky Theatre in St. Petersburg and on tour. Since 2015 he is a regular guest conductor at the Novosibirsk State Opera and Ballet Theatre both at home and on tour conducting opera and ballet productions. He has also appeared often at the Mariinsky Theatre, St. Petersburg, where he has conducted the new production of “Spartacus” Ballet. He was invited at the White Nights Festival 2013, celebrating the opening of the new Mariinsky 2 and the 60th birthday of Maestro Valery Gergiev. Internationally, Durgaryan has conducted ballet productions at the Leipzig Opera, at the Opéra National de Lyon and in December 2016 made his debut at the Bayerische Staatsoper conducting a new production of Spartak by Aram Khachaturian, which he also led with the Royal Ballet of Wallonia in January 2017
Since 2000 Karen Durgaryan has conducted major performances of Lebanese diva Fairuz, the greatest singer of Arabic world at numerous festivals and concert halls around the world. The CD “Fairuz Live at the Beiteddine 2000” produced by Ziad Rahbani with the EMI got the highest international acclaim.
Karen Durgaryan holds the title of Honored Artist of Republic of Armenia and in 2010 received the highest medal of Armenia in field of art and culture. His engagement for the musical development of his country continues as Music Director of the “Alexander Arutiunian International Wind Festival”, which takes place every year in June in Yerevan and provides a unique opportunity to local wind player to perform with the most renewed specialist worldwide.
Durgaryan’s international activity has a special focus in Italy where he has conducted most of the orchestra and opera houses: the Teatro Lirico in Cagliari – where he will conduct again in November 2022 – the Teatro Regio Torino, the Teatro Carlo Felice, Genova, the Teatro Verdi, Sassari in addition to concerts with the Orchestra di Padova e del Veneto and with the “Luigi Cherubini” Orchestra and the Toradze Piano Studio at the Ravenna Festival. He has appeared regularly with the Orchestra Sinfonica Siciliana in Palermo, with the Orchestra “I Pomeriggi Musicali”, Milan and with the Orchestra di Padova e del Veneto, where he will make his return in February 2023 Conducting an all-Prokofiev program Karen Durgaryan made a successful debut with the Israel Philharmonic Orchestra in November 2016 and in January 2017 has conducted for the first time the Brussels Philharmonic Orchestra, where he returned in January 2019 for a program in the frame of the Klara Festival. In February 2018 Durgaryan made his first appearance with the Malaysian Philharmonic Orchestra conducting two special ballet gala programs featuring the Armenian Ballet. In December 2018 he has made his debut at Teatro di San Carlo, Napoli with a production of Nutcracker, which he conducted again in December 2019
Karen Durgaryan has regularly conducted the best opera houses in Russia: from 2008, he is regularly a guest of the Mikhailovsky Theatre in St. Petersburg and on tour. Since 2015 he is a regular guest conductor at the Novosibirsk State Opera and Ballet Theatre both at home and on tour conducting opera and ballet productions. He has also appeared often at the Mariinsky Theatre, St. Petersburg, where he has conducted the new production of “Spartacus” Ballet. He was invited at the White Nights Festival 2013, celebrating the opening of the new Mariinsky 2 and the 60th birthday of Maestro Valery Gergiev. Internationally, Durgaryan has conducted ballet productions at the Leipzig Opera, at the Opéra National de Lyon and in December 2016 made his debut at the Bayerische Staatsoper conducting a new production of Spartak by Aram Khachaturian, which he also led with the Royal Ballet of Wallonia in January 2017
Since 2000 Karen Durgaryan has conducted major performances of Lebanese diva Fairuz, the greatest singer of Arabic world at numerous festivals and concert halls around the world. The CD “Fairuz Live at the Beiteddine 2000” produced by Ziad Rahbani with the EMI got the highest international acclaim.
Karen Durgaryan holds the title of Honored Artist of Republic of Armenia and in 2010 received the highest medal of Armenia in field of art and culture. His engagement for the musical development of his country continues as Music Director of the “Alexander Arutiunian International Wind Festival”, which takes place every year in June in Yerevan and provides a unique opportunity to local wind player to perform with the most renewed specialist worldwide.
Migran Agadzhanyan, born in Rostov-on-Don, is a multifaceted musician. He graduated from the Rimsky-Korsakov St Petersburg State Conservatory in 2016, specializing in piano under Vladimir Mischouk, and opera and symphony conducting under Vladimir Altschuler.
Beginning his musical journey at a young age, Migran studied singing with Vladimir Eknadiosov and performed in the children’s chorus of the Rostov State Musical Theatre.
In 2010, he achieved the Grand Prix at The Trembling Sounds of the Romance competition in St Petersburg and became a finalist at the International Competition for Young Opera Singers Flaviano Labò in Piacenza, Italy. He honed his skills further at masterclasses at the Opera Studio of the Accademia di Santa Cecilia in Rome, studying with renowned artists Renata Scotto and Giuseppe Sabbatini. Subsequently, he became a member of prestigious opera programs such as the Los Angeles Opera’s Young Artist Program, Lyric Opera of Chicago, and the Metropolitan Opera.
Migran made his debut at the Mariinsky Theatre in 2012 as Moralès in Carmen and has been a regular presence on the St Petersburg stage since 2017 He founded the Youth Symphony Orchestra of St Petersburg in 2012, where he currently serves as Artistic Director and Principal Conductor.
In 2016–17, Migran Agadzhanyan served as a soloist with the Grand Théâtre de Genève, further enriching his experience and artistry on the operatic stage.
In 2021, Migran expanded his career into conducting, debuting at the Mariinsky Theatre with Carmen and conducting other notable operas such as Rigoletto, Pagliacci, La bohème, and Madama Butterfly. He further showcased his conducting talents at the Perm Opera and Ballet Theatre, where he served as Principal Conductor from February 2022 to June 2023 Migran Agadzhanyan has received numerous accolades throughout his career, including first prize at the 8th Elena Obraztsova International Competition of Young Opera Singers (2011, St Petersburg), second prize at the 3rd Ilya Musin All-Russian Young Symphony Orchestra Conductors’ Open Competition (2013, Kostroma), and second prize at the 26th World Opera Competition Operalia (2018, Lisbon). Additionally, he earned third prize at the 16th International Tchaikovsky Competition (2019, Moscow – St Petersburg).
He has also participated in prestigious festivals such as those in Verbier, Switzerland, and Baden- Baden, Germany, alongside the Mariinsky Company.
Beginning his musical journey at a young age, Migran studied singing with Vladimir Eknadiosov and performed in the children’s chorus of the Rostov State Musical Theatre.
In 2010, he achieved the Grand Prix at The Trembling Sounds of the Romance competition in St Petersburg and became a finalist at the International Competition for Young Opera Singers Flaviano Labò in Piacenza, Italy. He honed his skills further at masterclasses at the Opera Studio of the Accademia di Santa Cecilia in Rome, studying with renowned artists Renata Scotto and Giuseppe Sabbatini. Subsequently, he became a member of prestigious opera programs such as the Los Angeles Opera’s Young Artist Program, Lyric Opera of Chicago, and the Metropolitan Opera.
Migran made his debut at the Mariinsky Theatre in 2012 as Moralès in Carmen and has been a regular presence on the St Petersburg stage since 2017 He founded the Youth Symphony Orchestra of St Petersburg in 2012, where he currently serves as Artistic Director and Principal Conductor.
In 2016–17, Migran Agadzhanyan served as a soloist with the Grand Théâtre de Genève, further enriching his experience and artistry on the operatic stage.
In 2021, Migran expanded his career into conducting, debuting at the Mariinsky Theatre with Carmen and conducting other notable operas such as Rigoletto, Pagliacci, La bohème, and Madama Butterfly. He further showcased his conducting talents at the Perm Opera and Ballet Theatre, where he served as Principal Conductor from February 2022 to June 2023 Migran Agadzhanyan has received numerous accolades throughout his career, including first prize at the 8th Elena Obraztsova International Competition of Young Opera Singers (2011, St Petersburg), second prize at the 3rd Ilya Musin All-Russian Young Symphony Orchestra Conductors’ Open Competition (2013, Kostroma), and second prize at the 26th World Opera Competition Operalia (2018, Lisbon). Additionally, he earned third prize at the 16th International Tchaikovsky Competition (2019, Moscow – St Petersburg).
He has also participated in prestigious festivals such as those in Verbier, Switzerland, and Baden- Baden, Germany, alongside the Mariinsky Company.
Massimiliano Bullo started piano lessons at the age of five under the guidance of Maestro Carlo Vidusso. In 1984 he concluded his studies and received his diploma at the Conservatory of Music “Giuseppe Verdi” in Milan where he studied with Maestro Ernesto Esposito.
Four years prior to graduating he won a scholarship to be part of the music staff at La Scala, where since 1983 he is engaged as assistant conductor and coach in close collaboration with the former music director Riccardo Muti, and with other prestigious guest conductors.
He played the recitative continuo on the fortepiano for the production of IL TURCO IN ITALIA under the musical direction of Maestro Riccardo Chailly, with Cecilia Bartoli and Michele Pertusi, later recorded by DECCA.
Bullo is a frequent guest vocal coach for productions in theaters worldwide, including the Bolshoi Theatre in Moscow, the Teatro Municipal in Santiago de Chile, and the National Centre for the Performing Arts in Beijing, China, and in France with the Opéra Limoges, Opéra de Lille and Opéra de Reims.
He has collaborated frequently with the La Scala Philharmonic Orchestra both in Italy and abroad. Much sought after as recital accompanist, he has performed with Salvtore Licitra, Mirella Devia, and Maria Guleghina in prestigious venues throughout Europe, United States and Asia. He has served on the faculty with the Daniel Ferro Vocal Program in Greve in Chianti, Italy, and given masterclasses including El Sistema in Caracas, in Shenyang and Beijing, China, and among other institutions and places.
Four years prior to graduating he won a scholarship to be part of the music staff at La Scala, where since 1983 he is engaged as assistant conductor and coach in close collaboration with the former music director Riccardo Muti, and with other prestigious guest conductors.
He played the recitative continuo on the fortepiano for the production of IL TURCO IN ITALIA under the musical direction of Maestro Riccardo Chailly, with Cecilia Bartoli and Michele Pertusi, later recorded by DECCA.
Bullo is a frequent guest vocal coach for productions in theaters worldwide, including the Bolshoi Theatre in Moscow, the Teatro Municipal in Santiago de Chile, and the National Centre for the Performing Arts in Beijing, China, and in France with the Opéra Limoges, Opéra de Lille and Opéra de Reims.
He has collaborated frequently with the La Scala Philharmonic Orchestra both in Italy and abroad. Much sought after as recital accompanist, he has performed with Salvtore Licitra, Mirella Devia, and Maria Guleghina in prestigious venues throughout Europe, United States and Asia. He has served on the faculty with the Daniel Ferro Vocal Program in Greve in Chianti, Italy, and given masterclasses including El Sistema in Caracas, in Shenyang and Beijing, China, and among other institutions and places.
Daria A. Mitrofanova is an accomplished language coach for singers, educator, consultant, and interpreter with a diverse background in languages, music, and theatre. She holds a Master's degree with honors in Italian and French languages from St. Petersburg State University, complemented by advanced studies in theatre arts and Italian literature.
With over two decades of experience in academia, Daria served as a Senior Lecturer at the N. A. Rimsky-Korsakov Saint Petersburg State Conservatory and currently holds the position of Associate Professor at The Herzen State Pedagogical University of Russia. In her role, she imparts her expertise in vocal performance, drawing from her extensive knowledge of vocal techniques and phonetics.
In addition to her academic pursuits, Daria is a sought-after consultant for French and Italian languages in the performing arts industry. She has collaborated with renowned theatres such as the Mariinskiy Theatre and the Mikhailovskiy Theatre, providing linguistic support and consultancy services. Her contributions extend to various musical theatres in St. Petersburg, where she offers her expertise in French and Italian languages.
Daria's professional engagements also include collaborations with prestigious cultural institutions and international projects. She has served as an interpreter and coordinator for the Elena Obraztsova Cultural Center and the Charitable Foundation for Support of the Music Art "The Elena Obraztsova Foundation," facilitating masterclasses and competitions for young opera singers. Her linguistic skills have been instrumental in facilitating international projects with the Russian National Orchestra and Italian conductors, ensuring smooth communication and coordination.
As an author, Daria has published several academic papers and study guides on vocal techniques and libretto writing, contributing to the advancement of vocal pedagogy. Her publications include "Italyanskiy yazyk dlya vokalistov: Fonetika v penii" and "Frantsuzskiy yasyk dlya vokalistov: Fonetika v penii," among others. She is also recognized for her translation work, including "The Twelve Abbots of Challant" by L. Mancinelli.
With a passion for language, music, and culture, Daria brings a wealth of experience and expertise to her diverse range of interests, including writing, acting, directing, and travelling. Her multifaceted talents and dedication continue to enrich the fields of academia and performing arts, leaving a lasting impact on those she collaborates with.
With over two decades of experience in academia, Daria served as a Senior Lecturer at the N. A. Rimsky-Korsakov Saint Petersburg State Conservatory and currently holds the position of Associate Professor at The Herzen State Pedagogical University of Russia. In her role, she imparts her expertise in vocal performance, drawing from her extensive knowledge of vocal techniques and phonetics.
In addition to her academic pursuits, Daria is a sought-after consultant for French and Italian languages in the performing arts industry. She has collaborated with renowned theatres such as the Mariinskiy Theatre and the Mikhailovskiy Theatre, providing linguistic support and consultancy services. Her contributions extend to various musical theatres in St. Petersburg, where she offers her expertise in French and Italian languages.
Daria's professional engagements also include collaborations with prestigious cultural institutions and international projects. She has served as an interpreter and coordinator for the Elena Obraztsova Cultural Center and the Charitable Foundation for Support of the Music Art "The Elena Obraztsova Foundation," facilitating masterclasses and competitions for young opera singers. Her linguistic skills have been instrumental in facilitating international projects with the Russian National Orchestra and Italian conductors, ensuring smooth communication and coordination.
As an author, Daria has published several academic papers and study guides on vocal techniques and libretto writing, contributing to the advancement of vocal pedagogy. Her publications include "Italyanskiy yazyk dlya vokalistov: Fonetika v penii" and "Frantsuzskiy yasyk dlya vokalistov: Fonetika v penii," among others. She is also recognized for her translation work, including "The Twelve Abbots of Challant" by L. Mancinelli.
With a passion for language, music, and culture, Daria brings a wealth of experience and expertise to her diverse range of interests, including writing, acting, directing, and travelling. Her multifaceted talents and dedication continue to enrich the fields of academia and performing arts, leaving a lasting impact on those she collaborates with.
The founding director of Meta Music Academy, Natalja Slobodyreva has worked in a management capacity with the world’s most prominent orchestras, conductors, and soloists, both in the Touring and Artists Management departments.
After joining IMG Artists in Hannover, Germany in 2010, Natalja worked with Harold Clarkson, managing director and global director of touring, on a series of important projects with orchestras and artists such as the NHK Symphony Orchestra, Charles Dutoit and Vadim Repin; the Orchestre de Paris, Paavo Järvi and Khatia Buniatishvili; the Basel Symphony Orchestra, Dennis Russell Davies and Yuri Bashmet; the State Symphony Orchestra of Russia "Evgeny Svetlanov", Vladimir Jurowski and Julia Fischer; the Estonian National Symphony Orchestra, Neeme Järvi and Nicola Benedetti; the Baltic Sea Philharmonic, Kristjan Järvi and Alexander Toradze; the Orchestra of the Bolshoi Theater and Mischa Maisky; Dmitry Sitkovetsky, Jakub Hruša, Louis Langrée, Mikhail Pletnev, Ye-Eun Choi, Hilary Hahn, Daniel Lozakovich, Sandrine Piau and Nikolai Lugansky.
Other highlights of Natalja's years at IMG included the Moscow appearance of Claudio Abbado with the Lucerne Festival Orchestra and Maria João Pires; the first European tour of the Tatarstan National Symphony Orchestra, with concerts at the Musikverein Wien and the Brucknerhaus in Linz conducted by Alexander Sladkovsky and featuring Denis Matsuev; and the Baltic Sea Philharmonic's debut in Moscow, conducted by Kristjan Järvi.
Drawing on her background as an experienced manager, Natalja has lectured at Moscow State Tchaikovsky Conservatory and the Korean National University of Arts in Seoul on the importance of self-management skills, artist's agencies, organizational structure, creativity and new concert formats, public relations and marketing. She has also served on the jury of competitions.
Natalja grew up in a family of musicians amidst the natural beauty and rich musical traditions of Tashkent, Uzbekistan, the daughter of a violin teacher and a violin maker. She was eleven when her family emigrated to Germany and had already received an intensive music education from the Uspensky Music School for Gifted Children in Tashkent. She subsequently studied violin with Alexander Kramarov, and Josef Rissin, and took master classes with Roman Nodel, Zakhar Bron, and Ivry Gitlis.
After joining IMG Artists in Hannover, Germany in 2010, Natalja worked with Harold Clarkson, managing director and global director of touring, on a series of important projects with orchestras and artists such as the NHK Symphony Orchestra, Charles Dutoit and Vadim Repin; the Orchestre de Paris, Paavo Järvi and Khatia Buniatishvili; the Basel Symphony Orchestra, Dennis Russell Davies and Yuri Bashmet; the State Symphony Orchestra of Russia "Evgeny Svetlanov", Vladimir Jurowski and Julia Fischer; the Estonian National Symphony Orchestra, Neeme Järvi and Nicola Benedetti; the Baltic Sea Philharmonic, Kristjan Järvi and Alexander Toradze; the Orchestra of the Bolshoi Theater and Mischa Maisky; Dmitry Sitkovetsky, Jakub Hruša, Louis Langrée, Mikhail Pletnev, Ye-Eun Choi, Hilary Hahn, Daniel Lozakovich, Sandrine Piau and Nikolai Lugansky.
Other highlights of Natalja's years at IMG included the Moscow appearance of Claudio Abbado with the Lucerne Festival Orchestra and Maria João Pires; the first European tour of the Tatarstan National Symphony Orchestra, with concerts at the Musikverein Wien and the Brucknerhaus in Linz conducted by Alexander Sladkovsky and featuring Denis Matsuev; and the Baltic Sea Philharmonic's debut in Moscow, conducted by Kristjan Järvi.
Drawing on her background as an experienced manager, Natalja has lectured at Moscow State Tchaikovsky Conservatory and the Korean National University of Arts in Seoul on the importance of self-management skills, artist's agencies, organizational structure, creativity and new concert formats, public relations and marketing. She has also served on the jury of competitions.
Natalja grew up in a family of musicians amidst the natural beauty and rich musical traditions of Tashkent, Uzbekistan, the daughter of a violin teacher and a violin maker. She was eleven when her family emigrated to Germany and had already received an intensive music education from the Uspensky Music School for Gifted Children in Tashkent. She subsequently studied violin with Alexander Kramarov, and Josef Rissin, and took master classes with Roman Nodel, Zakhar Bron, and Ivry Gitlis.
Having grown up in Russia and in the United States, Arman Tigranyan has benefited from a musical education in an international context. His ability to unite the musical traditions and forms of expression of various cultures and countries makes him an outstanding representative of his generation of conductors. His mentor Paavo Järvi says about him: “Arman's charismatic yet precise conducting style, unwavering attention to detail, as well as the gift of capturing all actors, make him a very fine and special musician, and conductor. His profound understanding of ensemble psychology empowers him to swiftly and efficiently achieve exceptional results.”
In recent seasons, Arman Tigranyan's engagements have led him on a tour of South Korea with the renowned Svetlanov State Academic Symphony Orchestra of Russia. His captivating performances have included Tchaikovsky's 5th Symphony and collaborative endeavors with the legendary South Korean pianist Kun-woo Paik, presenting the first piano concerto.
Arman's tenure as the Artistic Director and Principal Conductor of the Palermo Classics Festival and the Symphony Festival Orchestra bore witness to collaborations with celebrated soloists such as Viktoria Mullova, Desiree Rancatore, Mario Stefano Pietrodarchi, Alexander Malofeev, and Alexander Toradze, among others.
Past and current seasons feature a variety of engagements with prestigious orchestras and ensembles. These include collaborations with the Korean Symphony Orchestra, Daejeon Philharmonic Orchestra, Staatskapelle Halle, Russian National Orchestra, Baltic Sea Philharmonic, Estonian National Youth Symphony, Sinfonietta Cracovia, Camerata Armonia, Tatarstan National Symphony Orchestra, Royal Academy Symphony Orchestra of London, Chamber Orchestra Berlin, West Saxony Symphony Orchestra, St Petersburg Youth Orchestra, Barnaul State Academic Symphony Orchestra, Belgorod Philharmonic Orchestra, and the Kunming Philharmonic Orchestra.
Arman Tigranyan's musical journey began in Moscow, where he embarked on his violin path under the guidance of his father, Ashot Tigranyan. His pursuit of musical excellence led him to the esteemed Central Music School at the Tchaikovsky Conservatory. A significant turning point in his life occurred when his family emigrated to the United States, settling in Los Angeles. It was in Santa Barbara, California, that Arman received the prestigious Baroness Leni Fe Bland's highest prize and grant, recognizing him as a gifted and prodigious violinist.
His violin studies continued under the tutelage of Viktor Danchenko at the Peabody Conservatory, followed by enriching experiences with Jean Ter-Merguerian at the Conservatoire de Marseille and Joseph Rissin at the Karlsruhe Musikhochschule, culminating in an honors graduation in 2009. That same year marked the commencement of his conducting studies at the Musikhochschule in Freiburg. From 2011 to 2016, Arman furthered his education in opera and symphony conducting at the prestigious Tchaikovsky Moscow Conservatory under the guidance of Prof. Vladimir Ponkin.
Arman's dedication to ongoing development is evident through his active participation in masterclasses conducted by esteemed conductors, including Neeme Järvi, Paavo Järvi, Gennady Rozhdestvensky, Jorma Panula, Vladimir Ponkin, and Colin Meters.
In addition to his extensive journey, Arman Tigranyan has assisted Kristjan Järvi in various projects, contributing significantly to the music realm. These projects have included the Usedom Music Festival with the Baltic Sea Philharmonic, performances in Moscow with the Svetlanov State Academic Symphony Orchestra of Russia, featuring renowned soloist Denis Matsuev, and a presentation at Leipzig's Gewandhaus, where Kristjan Järvi and the MDR Radio Symphony Orchestra performed Arman Tigranyan's symphonic arrangement of Bach's Chaconne from Partita in D minor for solo violin. Arman has also had the privilege of assisting Maestro Vladimir Spivakov with the Concert Symphony Orchestra of the Moscow Conservatory, featuring pianist Nikolai Lugansky. He was a guest at the renowned Järvi Summer Academy and Festival in Pärnu, Estonia, where he had the honor of sharing the stage with Neeme Järvi during the final concert in Leigo. In recent years, Arman has had the honor of assisting Maestro Neeme Järvi with online conducting masterclasses.
In 2012, in Karlsruhe, Arman Tigranyan co-founded the Camerata Armonia Orchestra with friends, a testament to his commitment to nurturing young talents. His global concert endeavors encompass a rich and diverse repertoire, featuring works from different epochs and styles.
Currently, Arman is actively engaged as a guest conductor with the prestigious Mariinsky Theatre, further enriching his accomplished career.
In recent seasons, Arman Tigranyan's engagements have led him on a tour of South Korea with the renowned Svetlanov State Academic Symphony Orchestra of Russia. His captivating performances have included Tchaikovsky's 5th Symphony and collaborative endeavors with the legendary South Korean pianist Kun-woo Paik, presenting the first piano concerto.
Arman's tenure as the Artistic Director and Principal Conductor of the Palermo Classics Festival and the Symphony Festival Orchestra bore witness to collaborations with celebrated soloists such as Viktoria Mullova, Desiree Rancatore, Mario Stefano Pietrodarchi, Alexander Malofeev, and Alexander Toradze, among others.
Past and current seasons feature a variety of engagements with prestigious orchestras and ensembles. These include collaborations with the Korean Symphony Orchestra, Daejeon Philharmonic Orchestra, Staatskapelle Halle, Russian National Orchestra, Baltic Sea Philharmonic, Estonian National Youth Symphony, Sinfonietta Cracovia, Camerata Armonia, Tatarstan National Symphony Orchestra, Royal Academy Symphony Orchestra of London, Chamber Orchestra Berlin, West Saxony Symphony Orchestra, St Petersburg Youth Orchestra, Barnaul State Academic Symphony Orchestra, Belgorod Philharmonic Orchestra, and the Kunming Philharmonic Orchestra.
Arman Tigranyan's musical journey began in Moscow, where he embarked on his violin path under the guidance of his father, Ashot Tigranyan. His pursuit of musical excellence led him to the esteemed Central Music School at the Tchaikovsky Conservatory. A significant turning point in his life occurred when his family emigrated to the United States, settling in Los Angeles. It was in Santa Barbara, California, that Arman received the prestigious Baroness Leni Fe Bland's highest prize and grant, recognizing him as a gifted and prodigious violinist.
His violin studies continued under the tutelage of Viktor Danchenko at the Peabody Conservatory, followed by enriching experiences with Jean Ter-Merguerian at the Conservatoire de Marseille and Joseph Rissin at the Karlsruhe Musikhochschule, culminating in an honors graduation in 2009. That same year marked the commencement of his conducting studies at the Musikhochschule in Freiburg. From 2011 to 2016, Arman furthered his education in opera and symphony conducting at the prestigious Tchaikovsky Moscow Conservatory under the guidance of Prof. Vladimir Ponkin.
Arman's dedication to ongoing development is evident through his active participation in masterclasses conducted by esteemed conductors, including Neeme Järvi, Paavo Järvi, Gennady Rozhdestvensky, Jorma Panula, Vladimir Ponkin, and Colin Meters.
In addition to his extensive journey, Arman Tigranyan has assisted Kristjan Järvi in various projects, contributing significantly to the music realm. These projects have included the Usedom Music Festival with the Baltic Sea Philharmonic, performances in Moscow with the Svetlanov State Academic Symphony Orchestra of Russia, featuring renowned soloist Denis Matsuev, and a presentation at Leipzig's Gewandhaus, where Kristjan Järvi and the MDR Radio Symphony Orchestra performed Arman Tigranyan's symphonic arrangement of Bach's Chaconne from Partita in D minor for solo violin. Arman has also had the privilege of assisting Maestro Vladimir Spivakov with the Concert Symphony Orchestra of the Moscow Conservatory, featuring pianist Nikolai Lugansky. He was a guest at the renowned Järvi Summer Academy and Festival in Pärnu, Estonia, where he had the honor of sharing the stage with Neeme Järvi during the final concert in Leigo. In recent years, Arman has had the honor of assisting Maestro Neeme Järvi with online conducting masterclasses.
In 2012, in Karlsruhe, Arman Tigranyan co-founded the Camerata Armonia Orchestra with friends, a testament to his commitment to nurturing young talents. His global concert endeavors encompass a rich and diverse repertoire, featuring works from different epochs and styles.
Currently, Arman is actively engaged as a guest conductor with the prestigious Mariinsky Theatre, further enriching his accomplished career.
