Guest Artists
PERFORMANCE
Turandot
August 14, 2024
Renowned for her compelling presence on stage, Maria Guleghina stands out as the leading dramatic soprano of our time, earning accolades such as "the tops" and "the reigning diva" from critics like Andrew Porter in the Times Literary Supplement. Hailing from Russia, she is often dubbed the "Cinderella from Russia" and celebrated as a "Vocal Miracle," with Verdi's essence flowing through her veins.
Guleghina's repertoire showcases her exceptional versatility, ranging from iconic roles like Tosca and Turandot to Aida, Manon Lescaut, Norma, Fedora, and Adriana Lecouvreur. Her commanding voice, marked by power, warmth, and dramatic intensity, has graced prestigious opera houses worldwide.
Beginning her career at the State Opera in Minsk, Guleghina made a memorable debut at La Scala as Amelia in Un Ballo in Maschera opposite Luciano Pavarotti. Her association with La Scala includes performances in 15 new productions, touring Japan, and solo recitals. The Metropolitan Opera witnessed her debut in 1991, marking over 150 performances in various roles, from Tosca and Aida to Norma and Lady Macbeth.
Guleghina's Vienna State Opera debut in 1991 was followed by engagements at Covent Garden, the Royal Opera House, where she performed Fedora and other acclaimed roles. Her debut at Arena di Verona in 1996 as Abigaille in Nabucco earned her the 'Prize of Giovanni Zanatello,' and she has since been a regular performer at this renowned venue.
Apart from her operatic achievements, Guleghina is actively involved in humanitarian causes. She collaborates with UNICEF to advocate for children impacted by poverty and conflict, emphasizing the need for global unity.
Throughout her illustrious career, Guleghina has performed in solo recitals across the globe, with numerous productions broadcast on radio and television. Collaborating with leading singers and conductors, including Luciano Pavarotti, Placido Domingo, Leo Nucci, Renato Bruson, Jose Cura, Samuel Ramey, Gianandrea Gavazzeni, Riccardo Muti, James Levine, Zubin Mehta, Valery Gergiev, Fabio Luisi and Claudio Abbado, she has received prestigious awards such as the Puccini Prize, Bellini Prize, and the Giovanni Zanatello Prize.
Maria Guleghina is the recipient of numerous prizes and awards including Puccini Prize as Best Puccini Performer, 2001 Bellini Prize, Giovanni Zanatello Prize for her debut at the Arena di Verona, Maria Zamboni gold medal, 1999 gold medal at the Osaka Festival, the Arte e Operosita nel mondo prize from Milan, etc.
Recognized for her social engagement, Guleghina has been honored with the Orden of Holy Olga from the Russian Orthodox Church and holds the title of "People's Artist" of North Ossetia and Alania. As an honorary board member of the International Paralympic Committee and a UNICEF Goodwill Ambassador, she continues to make a significant impact beyond the operatic stage.
Turandot
August 14, 2024
Renowned for her compelling presence on stage, Maria Guleghina stands out as the leading dramatic soprano of our time, earning accolades such as "the tops" and "the reigning diva" from critics like Andrew Porter in the Times Literary Supplement. Hailing from Russia, she is often dubbed the "Cinderella from Russia" and celebrated as a "Vocal Miracle," with Verdi's essence flowing through her veins.
Guleghina's repertoire showcases her exceptional versatility, ranging from iconic roles like Tosca and Turandot to Aida, Manon Lescaut, Norma, Fedora, and Adriana Lecouvreur. Her commanding voice, marked by power, warmth, and dramatic intensity, has graced prestigious opera houses worldwide.
Beginning her career at the State Opera in Minsk, Guleghina made a memorable debut at La Scala as Amelia in Un Ballo in Maschera opposite Luciano Pavarotti. Her association with La Scala includes performances in 15 new productions, touring Japan, and solo recitals. The Metropolitan Opera witnessed her debut in 1991, marking over 150 performances in various roles, from Tosca and Aida to Norma and Lady Macbeth.
Guleghina's Vienna State Opera debut in 1991 was followed by engagements at Covent Garden, the Royal Opera House, where she performed Fedora and other acclaimed roles. Her debut at Arena di Verona in 1996 as Abigaille in Nabucco earned her the 'Prize of Giovanni Zanatello,' and she has since been a regular performer at this renowned venue.
Apart from her operatic achievements, Guleghina is actively involved in humanitarian causes. She collaborates with UNICEF to advocate for children impacted by poverty and conflict, emphasizing the need for global unity.
Throughout her illustrious career, Guleghina has performed in solo recitals across the globe, with numerous productions broadcast on radio and television. Collaborating with leading singers and conductors, including Luciano Pavarotti, Placido Domingo, Leo Nucci, Renato Bruson, Jose Cura, Samuel Ramey, Gianandrea Gavazzeni, Riccardo Muti, James Levine, Zubin Mehta, Valery Gergiev, Fabio Luisi and Claudio Abbado, she has received prestigious awards such as the Puccini Prize, Bellini Prize, and the Giovanni Zanatello Prize.
Maria Guleghina is the recipient of numerous prizes and awards including Puccini Prize as Best Puccini Performer, 2001 Bellini Prize, Giovanni Zanatello Prize for her debut at the Arena di Verona, Maria Zamboni gold medal, 1999 gold medal at the Osaka Festival, the Arte e Operosita nel mondo prize from Milan, etc.
Recognized for her social engagement, Guleghina has been honored with the Orden of Holy Olga from the Russian Orthodox Church and holds the title of "People's Artist" of North Ossetia and Alania. As an honorary board member of the International Paralympic Committee and a UNICEF Goodwill Ambassador, she continues to make a significant impact beyond the operatic stage.
PERFORMANCE
Adriana Lecouvreur
August 4, 2024
Hailed by fans and critics worldwide as «a singer from God», «an opera diva», «one of the best
sopranos of our time». Veronika Dzhioeva, born in Tskhinval, South Ossetia, fulfilled her father's dream by becoming an opera singer. Her journey, guided by a childhood love for classical music, led her to the Vladikavkaz College of Arts “V. A. Gergiev” under the strict guidance of teacher Nelly Hestanova, and later the St. Petersburg Conservatory, mentored by Tamara Novichenko.
Her outstanding voice gained acclaim at the Novosibirsk Opera and Ballet Theater and various competitions, including the Maria Callas Grand Prix, Glinka Competition, International Claudia Taev Competition, the World Vision International Competition, and the P.I. Tchaikovsky International Competition.
Masterclasses with opera legends Joan Sutherland and Maria Bieșu enhanced her artistry. Veronika's debut album, "Opera Arias," won the Big Opera television contest, catapulting her to prominence.
In 2014, Veronika was given the title of “People’s Artist” of Republic of South Ossetia, and Republic of North Ossetia Alania, and a nomination for the Golden Mask - "Best Actress Award" for her role as Elizabeth Valois at the Bolshoi Theater.
Today, Veronika Dzhioeva is a sought-after soprano globally, gracing stages worldwide. She performs as a guest singer, leading roles in the best world theaters, including Houston Opera, Grand Théâtre de Genève, La Monnaie Theater, Prague State Opera, Finnish National Opera, Teatro Petruzzelli, Teatro Comunale di Bologna, Teatro Massimo of Palermo, Real Teatro, Teatro Filarmonico di Verona, Staatsoper Hamburg, Bolshoi Theater, Mariinsky Theater, among others.
Her festivals in Ossetia and Moscow have become annual successes. In August 2015, Veronika presented her first festival in Ossetia. A year later, the festival was held in Moscow on the stage of the Novaya Opera and also on the Novosibirsk State Academic Opera and Ballet Theatre (NOVAT) stage.
Known for her filigree performances, Veronika excels in diverse roles: from Elisabeth of Valois, Liu, Countess of the Wedding of Figaro, Donna Elvira, Gorislava, Micaela, Iolanthe, Tatyana, and many others. All critics and fans note the filigree performance of the role of Aida, which is becoming a favorite in Veronika's repertoire.
Collaborations with esteemed conductors and directors, coupled with performances with top orchestras, affirm her artistry. To name a few: Conductors: Mariss Jansons, Trevor Pinnock, Ingo Metzmacher, Teodor Currentzis, Jac van Steen, Daniele Callegari, Mario Carminati, Hartmut Haenchen; Directors: Adrian Noble, Dmitry Chernyakov, Peter Sellars, Paco Azorin; Orchestras: Bayerischer Rundfunk, London Symphony Orchestra, RNO, Musica Aeterna, and many others.
Veronika Dzhioeva's rich voice, technical prowess, and expanding repertoire continue to captivate audiences, earning her a nomination at the International Classical Music Amidst a challenging season, her debut as Odabella in "Attila" directed by Ildar Abdrazakov, a production of the Bashkir Opera and Ballet Theater marked another triumph.
In Veronika's own words, "The main thing is that I can realize myself in music. I dream to sing something technically challenging that is still difficult for me. If I don't succeed, I should strive for it. Without this, it's not interesting to live for a musician living. I've always had a competitive spirit. Otherwise, my life was empty and bored."
Adriana Lecouvreur
August 4, 2024
Hailed by fans and critics worldwide as «a singer from God», «an opera diva», «one of the best
sopranos of our time». Veronika Dzhioeva, born in Tskhinval, South Ossetia, fulfilled her father's dream by becoming an opera singer. Her journey, guided by a childhood love for classical music, led her to the Vladikavkaz College of Arts “V. A. Gergiev” under the strict guidance of teacher Nelly Hestanova, and later the St. Petersburg Conservatory, mentored by Tamara Novichenko.
Her outstanding voice gained acclaim at the Novosibirsk Opera and Ballet Theater and various competitions, including the Maria Callas Grand Prix, Glinka Competition, International Claudia Taev Competition, the World Vision International Competition, and the P.I. Tchaikovsky International Competition.
Masterclasses with opera legends Joan Sutherland and Maria Bieșu enhanced her artistry. Veronika's debut album, "Opera Arias," won the Big Opera television contest, catapulting her to prominence.
In 2014, Veronika was given the title of “People’s Artist” of Republic of South Ossetia, and Republic of North Ossetia Alania, and a nomination for the Golden Mask - "Best Actress Award" for her role as Elizabeth Valois at the Bolshoi Theater.
Today, Veronika Dzhioeva is a sought-after soprano globally, gracing stages worldwide. She performs as a guest singer, leading roles in the best world theaters, including Houston Opera, Grand Théâtre de Genève, La Monnaie Theater, Prague State Opera, Finnish National Opera, Teatro Petruzzelli, Teatro Comunale di Bologna, Teatro Massimo of Palermo, Real Teatro, Teatro Filarmonico di Verona, Staatsoper Hamburg, Bolshoi Theater, Mariinsky Theater, among others.
Her festivals in Ossetia and Moscow have become annual successes. In August 2015, Veronika presented her first festival in Ossetia. A year later, the festival was held in Moscow on the stage of the Novaya Opera and also on the Novosibirsk State Academic Opera and Ballet Theatre (NOVAT) stage.
Known for her filigree performances, Veronika excels in diverse roles: from Elisabeth of Valois, Liu, Countess of the Wedding of Figaro, Donna Elvira, Gorislava, Micaela, Iolanthe, Tatyana, and many others. All critics and fans note the filigree performance of the role of Aida, which is becoming a favorite in Veronika's repertoire.
Collaborations with esteemed conductors and directors, coupled with performances with top orchestras, affirm her artistry. To name a few: Conductors: Mariss Jansons, Trevor Pinnock, Ingo Metzmacher, Teodor Currentzis, Jac van Steen, Daniele Callegari, Mario Carminati, Hartmut Haenchen; Directors: Adrian Noble, Dmitry Chernyakov, Peter Sellars, Paco Azorin; Orchestras: Bayerischer Rundfunk, London Symphony Orchestra, RNO, Musica Aeterna, and many others.
Veronika Dzhioeva's rich voice, technical prowess, and expanding repertoire continue to captivate audiences, earning her a nomination at the International Classical Music Amidst a challenging season, her debut as Odabella in "Attila" directed by Ildar Abdrazakov, a production of the Bashkir Opera and Ballet Theater marked another triumph.
In Veronika's own words, "The main thing is that I can realize myself in music. I dream to sing something technically challenging that is still difficult for me. If I don't succeed, I should strive for it. Without this, it's not interesting to live for a musician living. I've always had a competitive spirit. Otherwise, my life was empty and bored."
PERFORMANCE
Adriana Lecouvreur
August 4, 2024
Belarussian baritone Vladislav Sulimsky has rapidly become one of the leading singers in the world. Ever since his performance of Prince Kurljatew in Tchaikovsky’s Charodeyka (Enchantress) in Christof Loy’s production at the Theater an der Wien in 2014, Sulimsky gained a lot of international attention. In the summer of 2018, he made his debut at the Salzburg Festival as Tomsky (Pique Dame) under the baton of Mariss Jansons, followed by Count Luna (Il trovatore) at the Berlin State Opera, Jago (Otello) at the Vienna State Opera, and his role debut as Scarpia (Tosca) at the Malmö opera. He also made his house debut at the Munich State Opera with Count Luna and finally Macbeth in 2023 in the Barrie Kosky production at the Salzburg Festival.
As early as 2010, Sulimsky sang Enrico Ashton (Lucia di Lammermoor) at the Mariinsky alongside Nathalie Dessay and Belcore in L’Elisir d´Amore with Anna Netrebko as Adina, followed by Giorgio Germont (La Traviata) and Robert in Iolanta. A frequent guest at the Bolshoi Theatre in Moscow, he has performed Prince Kurlyatev in Enchantress by Tchaikovsky and his parade title role Eugen Onegin. In autumn 2012 Sulimsky made his Swedish opera debut at Malmö Opera as Miller in Verdi's Luisa Miller, followed by Renato in Un ballo in maschera at the Stockholm Royal Opera. He performed Ezio in Attila at the Mikkeli Festival in Finland under the baton of Valery Gergiev, and completed the season with a long European tour singing Ibn-Hakia alongside Anna Netrebko in Iolanta. His Eugene Onegin at the Malmö Opera under the baton of Michail Jurowski in 2015 was followed by his Swiss debut at the Basel theatre in the title role of Macbeth, and later on as Don Carlo de Vargas in La Forza del destino.
In 2016, Vladislav Sulimsky made a highly successful debut in his first Wagner role as Alberich in Das Rheingold at the Edinburgh Festival. His Frankfurt Opera debut was a scenic Tchaikovsky evening staged by Christof Loy. At the Berlin Philharmonic he sang in Rachmaninov’s Francesca da Rimini and the title role of Mazeppa conducted by Kyrill Petrenko.
In summer 2021, he sang Miller in Verdi’s Luisa Miller at the Glyndebourne Festival.
Adriana Lecouvreur
August 4, 2024
Belarussian baritone Vladislav Sulimsky has rapidly become one of the leading singers in the world. Ever since his performance of Prince Kurljatew in Tchaikovsky’s Charodeyka (Enchantress) in Christof Loy’s production at the Theater an der Wien in 2014, Sulimsky gained a lot of international attention. In the summer of 2018, he made his debut at the Salzburg Festival as Tomsky (Pique Dame) under the baton of Mariss Jansons, followed by Count Luna (Il trovatore) at the Berlin State Opera, Jago (Otello) at the Vienna State Opera, and his role debut as Scarpia (Tosca) at the Malmö opera. He also made his house debut at the Munich State Opera with Count Luna and finally Macbeth in 2023 in the Barrie Kosky production at the Salzburg Festival.
As early as 2010, Sulimsky sang Enrico Ashton (Lucia di Lammermoor) at the Mariinsky alongside Nathalie Dessay and Belcore in L’Elisir d´Amore with Anna Netrebko as Adina, followed by Giorgio Germont (La Traviata) and Robert in Iolanta. A frequent guest at the Bolshoi Theatre in Moscow, he has performed Prince Kurlyatev in Enchantress by Tchaikovsky and his parade title role Eugen Onegin. In autumn 2012 Sulimsky made his Swedish opera debut at Malmö Opera as Miller in Verdi's Luisa Miller, followed by Renato in Un ballo in maschera at the Stockholm Royal Opera. He performed Ezio in Attila at the Mikkeli Festival in Finland under the baton of Valery Gergiev, and completed the season with a long European tour singing Ibn-Hakia alongside Anna Netrebko in Iolanta. His Eugene Onegin at the Malmö Opera under the baton of Michail Jurowski in 2015 was followed by his Swiss debut at the Basel theatre in the title role of Macbeth, and later on as Don Carlo de Vargas in La Forza del destino.
In 2016, Vladislav Sulimsky made a highly successful debut in his first Wagner role as Alberich in Das Rheingold at the Edinburgh Festival. His Frankfurt Opera debut was a scenic Tchaikovsky evening staged by Christof Loy. At the Berlin Philharmonic he sang in Rachmaninov’s Francesca da Rimini and the title role of Mazeppa conducted by Kyrill Petrenko.
In summer 2021, he sang Miller in Verdi’s Luisa Miller at the Glyndebourne Festival.
PERFORMANCE
Otello
August 11, 2024
Considered one of the most promising sopranos of her generation, Armenian-born soprano Liana Aleksanyan is praised for both her spinto qualities and remarkable stage presence. Since her European debut as Manon Lescaut at the Norwegian National Opera in 2005, she has been performing at most major European opera houses. She is currently part of the ensemble of the Deutsche Oper am Rhein.
Considered a Verdi and Puccini specialist, she has sung in over 14 Madama Butterfly productions. She made her Teatro alla Scala debut with this role in the opening of the 2016/17 production conducted by Riccardo Chailly. Liana has also sung Cio-Cio San in Valencia, Seoul, Köln, Düsseldorf, Florence, Triest, Buenos Aires and Hamburg. In addition to this, she has recently taken part in productions at the Teatro Petruzzelli in Bari (Simon Boccanegra), Macerata Festival (Aida), Deutsche Opera am Rhein (Don Carlo, La Bohème) and sung a concert gala in Shanghai with Daniel Oren.
In the 21/22 season, Liana made her debut in the title role of Tosca (Teatro Petruzzeli in Bari) and as as Adriana Lecouvreur (Deutsche Oper am Rhein). She also sang Contessa in Le Nozze di Figaro (Deutsche Oper am Rhein) and the title role of Luisa Miller (Hamburgische Staatsoper). In 22/23, she will revive the roles of Adriana Lecouvreur, of Tosca and Cio-Cio San at the Deutsche Oper am Rhein. In season 2023/2024 Liana will debut as a Marschallin in "Der Rosenkavalier” and Elisabetta in “Don Carlo” in Deuscthe Oper am Rhen and also in a new production of “Carmen” in Royal Opera House Covend Garden .
In the 2010/11 season, Liana was part of the ensemble of the Aalto Theater in Essen where she sung roles such as Violetta (La Traviata), Antonia (The Tales of Hoffmann), Contessa (Le Nozze di Figaro), Amalia (I Masnadieri) or Tatiana (Eugene Onegin).She has worked with conductors such as Riccardo Chailly, Simone Young, Giampaolo Bisanti, Francesco Ivan Ciampa, Riccardo Frizza, Giampaolo Bisanti and directors such as Andreas Homoki, Hans Neuenfels, Mario Pontiggia, Alvis Hermanis and Hugo de Ana among othersLiana Aleksanyan began her musical education at the age of nine first with the piano at the Mizroyan Music School. and then by following her vocal studies with Sergey Danielyan at the Komitas Conservatory in Yerevan. She has been finalist in several international singing competitions around Europe and won the 3rd prize in the “Concours international de chant de Toulouse.
Otello
August 11, 2024
Considered one of the most promising sopranos of her generation, Armenian-born soprano Liana Aleksanyan is praised for both her spinto qualities and remarkable stage presence. Since her European debut as Manon Lescaut at the Norwegian National Opera in 2005, she has been performing at most major European opera houses. She is currently part of the ensemble of the Deutsche Oper am Rhein.
Considered a Verdi and Puccini specialist, she has sung in over 14 Madama Butterfly productions. She made her Teatro alla Scala debut with this role in the opening of the 2016/17 production conducted by Riccardo Chailly. Liana has also sung Cio-Cio San in Valencia, Seoul, Köln, Düsseldorf, Florence, Triest, Buenos Aires and Hamburg. In addition to this, she has recently taken part in productions at the Teatro Petruzzelli in Bari (Simon Boccanegra), Macerata Festival (Aida), Deutsche Opera am Rhein (Don Carlo, La Bohème) and sung a concert gala in Shanghai with Daniel Oren.
In the 21/22 season, Liana made her debut in the title role of Tosca (Teatro Petruzzeli in Bari) and as as Adriana Lecouvreur (Deutsche Oper am Rhein). She also sang Contessa in Le Nozze di Figaro (Deutsche Oper am Rhein) and the title role of Luisa Miller (Hamburgische Staatsoper). In 22/23, she will revive the roles of Adriana Lecouvreur, of Tosca and Cio-Cio San at the Deutsche Oper am Rhein. In season 2023/2024 Liana will debut as a Marschallin in "Der Rosenkavalier” and Elisabetta in “Don Carlo” in Deuscthe Oper am Rhen and also in a new production of “Carmen” in Royal Opera House Covend Garden .
In the 2010/11 season, Liana was part of the ensemble of the Aalto Theater in Essen where she sung roles such as Violetta (La Traviata), Antonia (The Tales of Hoffmann), Contessa (Le Nozze di Figaro), Amalia (I Masnadieri) or Tatiana (Eugene Onegin).She has worked with conductors such as Riccardo Chailly, Simone Young, Giampaolo Bisanti, Francesco Ivan Ciampa, Riccardo Frizza, Giampaolo Bisanti and directors such as Andreas Homoki, Hans Neuenfels, Mario Pontiggia, Alvis Hermanis and Hugo de Ana among othersLiana Aleksanyan began her musical education at the age of nine first with the piano at the Mizroyan Music School. and then by following her vocal studies with Sergey Danielyan at the Komitas Conservatory in Yerevan. She has been finalist in several international singing competitions around Europe and won the 3rd prize in the “Concours international de chant de Toulouse.
PERFORMANCE
Turandot
August 14, 2024
Turandot
August 14, 2024
PERFORMANCE
Turandot
August 14, 2024
Turandot
August 14, 2024
PERFORMANCE
Adriana Lecouvreur
August 4, 2024
Born in Andijan, Uzbekistan, Ksenia Dudnikova graduated from the conducting and choral department of Krasnodar Music and Pedagogical College before completing vocal studies at the Moscow Tchaikovsky Conservatory under the singer and teacher Clara Kadinskaya.
From 2011 to 2021, Ksenia served as a soloist with the opera troupe of the Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre. Notably, in 2016, she made her debut at the Bolshoi Theatre in the role of Maddalena in "Rigoletto."
Since October 2021, she has been a soloist of the Bolshoi Theatre. Ksenia has performed at prestigious venues worldwide, including the Royal Opera House in Covent Garden, the Paris National Opera, and the Semperoper Dresden.
Ksenia has also participated in renowned festivals such as the Maggio Musicale Fiorentino and the Salzburg Festival. She collaborates with esteemed conductors and directors, including Evgeny Brazhnik, Lorenzo Viotti, and Dmitri Tcherniakov, enhancing her reputation as a versatile and sought-after performer in the opera world.
Adriana Lecouvreur
August 4, 2024
Born in Andijan, Uzbekistan, Ksenia Dudnikova graduated from the conducting and choral department of Krasnodar Music and Pedagogical College before completing vocal studies at the Moscow Tchaikovsky Conservatory under the singer and teacher Clara Kadinskaya.
From 2011 to 2021, Ksenia served as a soloist with the opera troupe of the Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre. Notably, in 2016, she made her debut at the Bolshoi Theatre in the role of Maddalena in "Rigoletto."
Since October 2021, she has been a soloist of the Bolshoi Theatre. Ksenia has performed at prestigious venues worldwide, including the Royal Opera House in Covent Garden, the Paris National Opera, and the Semperoper Dresden.
Ksenia has also participated in renowned festivals such as the Maggio Musicale Fiorentino and the Salzburg Festival. She collaborates with esteemed conductors and directors, including Evgeny Brazhnik, Lorenzo Viotti, and Dmitri Tcherniakov, enhancing her reputation as a versatile and sought-after performer in the opera world.
